Sunday, 25 March 2012
In Search of Film: 50/50: Can laughter be the best cure?
In Search of Film: 50/50: Can laughter be the best cure?: So I have taken the opportunity to relish in the little free time that I have to catch up with the blog, and, most importantly, combat the t...
50/50: Can laughter be the best cure?
So I have taken the opportunity to relish in the little free
time that I have to catch up with the blog, and, most importantly, combat the
titanic list of films I need to see, which continues to grow each and every
day! So yesterday, full of cold and wrapped up in bed I thought 50/50 would
cure me of my woes. *sarcasm*
I expect a lot of people, at least in the UK, to be
wondering what the hell 50/50 is – do not fear, you are not the victim of a
lone-film-fan cult, whose aim is to vanquish all film fans so that he/she can
become the “only gay in the village” of film. Not at all. Surprisingly the
film, although featuring popular actors; Joseph Gordon-Levitt, Seth Rogan, Anjelica
Huston and Anna Kendrick, failed in its British PR. I saw all of 3 adverts for
this film, now considering I spend much of my waking life in cinemas, in arts
venues and now, thanks to Netflix, sat on my sofa – that is substantially low! The
fact that this film was released a little over a month before Christmas, MAY have
had slight negative impacts: with the success of Arthur Christmas and Cancer,
traditionally, not being a festive topic, it was due to have PR limitations.
The film follows a stereotypical modern American
20-something - Adam (Gordon-Levitt); he is physically fit, (demonstrated by the
opening running scene), he doesn’t smoke (demonstrated by his rejection of an
offer of a cigarette) and he recycles (highlighted during a medical
consultation - which also enabled him to reiterate the two above personal
qualities). After long periods of back pain, he visits his doctor only to
discover that he has a rare genetic spinal tumour and, upon further
investigation, one that carries a 50/50 survival rate. We then witness the
aftermath, watching Adam tell his aesthetically-sympathetic girlfriend, comical
best-friend and parents (which includes a dramatic mother and a father plagued
by Alzheimer). The reaction of his best friend Kyle, is awkwardly funny, as he
reassures Adam by referencing celebrities who have beaten cancer; which sadly
included the late Patrick Swayze. As expected, the film maintains the plight of
a traditional love/ tragedy story structure: boy loves girl; girl does the
dirty on boy; boy, unsuccessfully, seeks relief in casual sex; boy discovers
new girl, old girl recognises the error of her ways; boy rejects old girl and
seeks relationship with new girl!
Though I dislike the conventional structure that the film
retains, I applaud the way they manipulate this structure to discuss the
complexity of illness and disease; in other words I hate the love story but I
love the way they use cancer as a catalyst. Though the film centralises around
his disease, it acts as a foundation for the exploration of relationships, love
and the individual during times of trauma and hardship, and how they
subsequently triumph and fail.
This film also demonstrated a very rare quality. It is one,
of very few films, that I can say with my hand on my heart; the casting was superlative!
I have not one negative word to say about any member of this cast, on the
contrary, I find myself detracted from the story and instead discussing these
acting accomplishments! Maybe it is due to the rarity of the these events, that
I have found myself rambling about Gordon-Levitt’s triumph in portraying a
complex character, with such poise and wealth, and Rogan’s success is
maintaining the perfect level of comedy without allowing it to cross into the
realms of “Superbad” meets “Philadelphia”. I enjoyed this film not just because
of the careful handling of a common yet controversial subject and the wonderful
casting but also because I wasn’t forced into laughing, the comedy of the film
was actually quite intermittent. I advise you to watch this film as a drama, as
you will find yourself laughing at its few comedic treats rather than being let
down because, surprising, the film about cancer wasn’t as funny as you
expected.
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